SMEAR
A dual stereo 98-pole allpass filter unlike anything else in your rack.
At its core, Smear takes a deceptively simple concept, the allpass filter, usually buried deep inside reverb algorithms, and refines it into a playable, sculptural processor.
A single allpass subtly shifts the phase of incoming audio while passing the entire signal unfiltered. Stack 98 poles in series, and the effect becomes striking: frequencies across the spectrum are delayed by different amounts, creating a rich spectral delay that can smear, morph, and transform sound.
It does not cut frequencies at all. The result is closer to a multi-FX than a traditional filter.
Effects
| Transient smearing and spectral delay | Reshapes transients. Can add punch. |
|---|---|
| Resonator and percussion voice | Metallic, physical-modeling tones when pushed into feedback territory. |
| Morphing filter and phaser | Animated timbral movement. |
Interface
The panel is laid out symmetrically, with two identical sections, left and right. Each section offers three core parameters: frequency, resonance and stages (TAP), each with a dedicated CV input. Frequency and resonance have attenuverters for precise modulation. A global feedback control, with CV, sits in the centre.